Blazar
Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E)
SHARE
Sony E Cinema full-frame 2026
Related Video
⚡ Autofocus
Useful links
B&H Photo Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E)
Amazon Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E)
Ebay Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E)
Adorama Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E)
Wex Photo Video Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E)
Some links may be affiliate links (sponsored).
Blazar TALON 50mm 1.5X Full-Frame AF (Anamorphic Lens, Sony E) Comparisons
Similar lenses to compareSame Mount
Sigma Sigma 28-105mm T3 FF AF Cine Zoom f/2.8 · 28-105mm
🟢 →
Thypoch THYPOCH Simera-C 50mm T1.5 f/1.5 · 50mm
🟢 →
Sigma Sigma 35mm F1.4 DG DN II Art f/1.4 · 35mm
🟢 →
7Artisans 7Artisans AF 35mm F1.8 f/1.8 · 35mm
🟢 →
7Artisans 7Artisans AF 50mm F1.8 f/18 · 50mm
🟢 →
7Artisans 7artisans AF 40mm f2.5 (Lightweight, Sony E) f/2.5 · 40mm
🟢 →
📷
Viltrox Viltrox AF 35mm f/1.8 EVO APO f/1.8 · 35mm
🟢 →
Pros & Cons
Pros
- Revolutionary Autofocus: It is the first 1.5x anamorphic that allows you to use Sony's Eye-AF and Tracking. This eliminates the need for a focus puller and allows for smooth solo recordings.
- Weight and Size: At only 664g, it is incredibly light for a Full Frame cinema lens. You don't need heavy gimbals to operate it.
- Internal Focus: By not physically extending, the balance remains perfect on the stabilizers, greatly facilitating the workflow on set.
- Real Cinematic Aesthetics: The 1.5x factor offers an excellent balance between the panoramic look and controlled distortion, with a very aesthetic oval bokeh thanks to its 16 diaphragm blades.
- Competitive Price: At $1,299 USD, it offers technology that previously cost thousands of dollars more (especially for the AF).
- Accessory Compatibility: Having 0.8 MOD gears and a 77mm thread, it is compatible with almost all Matte Boxes and Follow Focus systems on the market.
Cons
- Lack of "Open Gate" on Sony: Most Sony cameras (such as the FX3 or A7SIII) do not record in 4:3 or Open Gate mode. This means you'll be wasting resolution by cropping the sensor to get to the final look.
- Single Focal (For now): Being a 50mm fixed, you are limited in framing. For a full production, you will need to wait for Blazar to release the rest of the set (such as a 35mm or 85mm) to maintain visual consistency.
- Focus by Wire: Although it has cinema gears, the focus is motor-assisted electronic. This may not feel as tactile or precise for purist manual focusers compared to a fully mechanical cine lens.
- Edge Distortion: Like almost all budget anamorphics, it can suffer from loss of sharpness or chromatic aberrations in the corners when used at T2.1.
- Specific 1.5x Factor: For some film purists, the 1.5x factor falls short of the classic 2x look, although it is much more practical for 16:9 sensors.