Cooke AP3 FF 35mm T2.4 1.5x Anamorphic - Lens specs

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Sony E Cinema full-frame 2026

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B&H Photo Cooke AP3 FF 35mm T2.4 1.5x Anamorphic

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Compare with

35mm

Focal length

f/2.4

Max aperture

14mm35mm85mm200mm600mm

▲ 35mm

Max aperture

f/1.8

f/2.4

f/5.6

Constant Aperture

Zoom Ratio: 1x

Near focus5' 8"

Far focus6' 11"

Total DOF1' 4"

Hyperfocal58' 2"

Subject distance6' 3"

Focal length35 mm

Aperturef/2.4

SensorFull Frame

Illustrative scene preview based on this lens's focal length, aperture, and sensor coverage.

This preview uses 35mm, f/2.4, and Full Frame. Subject distance is estimated to keep lens previews comparable.

Minimum focus distance is missing in the current record, so the preview uses a generic safe subject distance.

Physical

Filter thread: 82 mm
Color: Black

Handling & Controls

Distance Scale: Yes

Release year: 2026
Approx price: $7750 USD

The best

AP3 FF 35mm targets full-frame users with a T2.4, 1.5x anamorphic profile.

Also

Announced as a trilogy-ready optic for consistent production continuity.

Summary

Cooke AP3 FF 35mm T2.4 1.5x Anamorphic appears as a fixed focal addition to the new AP3 line, defined for full-frame coverage with 35mm focal length, T2.4 maximum aperture and 1.5x anamorphic squeeze. Positioned with matching 50mm and 85mm units, it signals a lens-set strategy where teams can keep optical behavior more predictable across a short focus trio.

For experienced photography and motion users, this matters because fixed focal lenses with stable aperture behavior make shot planning cleaner when transitions are frequent. It supports continuity in storytelling scenes, controlled look transitions and easier grading decisions by reducing the amount of ad-hoc correction required between matched focal points. That can be relevant for documentary, branded content and narrative day-for-day shoots where consistency is a core quality bar.

This is currently preliminary information and should be treated as a rumor-stage reference until official technical documentation, availability status and final usage details are confirmed. The currently visible technical intent is still useful for planning: 35mm, T2.4 and 1.5x as a coherent starting point for a full-frame anamorphic series.

In practical use, this kind of announced trio fits better when production prefers continuity over all-in-one zoom flexibility. It is especially useful where editors and DPs need predictable texture and perspective continuity before committing to purchase timing, rental windows and multi-camera visual matching.