ZEISS Horizon 35mm T2.3 2x Anamorphic

Facebook LinkedIn X WhatsApp

lpl Cinema full-frame 2026

Aperture Ring

Useful links

USA UK Canada Australia Singapore Italy Netherlands Poland Sweden

B&H Photo ZEISS Horizon 35mm T2.3 2x Anamorphic

Official Website

Some links may be affiliate links (sponsored).

Compare with

35mm

Focal length

f/2.3

Max aperture

2420 g

Weight

14mm35mm85mm200mm600mm

▲ 35mm

Max aperture

f/1.8

f/2.3

f/5.6

Aperturef/2.3

f/2.3f/22

Near focus5' 8"

Far focus6' 11"

Total DOF1' 3"

Hyperfocal60' 8"

Subject distance6' 3"

Focal length35 mm

Aperturef/2.3

SensorFull Frame

Illustrative scene preview based on this lens's focal length, aperture, and sensor coverage.

This preview uses 35mm, f/2.3, and Full Frame. Subject distance is estimated to keep lens previews comparable.

Min aperture: f/22

Focusing

Minimum focus: 79 cm

Physical

Weight: 2420 g
Dimensions: ⌀114mm × 199mm
Color: Black

Handling & Controls

Distance Scale: Yes

Recommended Use

Balanced general purpose lens.

Release year: 2026
Announced: Jun 2, 2026

The best

35mm T2.3 2x anamorphic cinema prime for full-frame

Also

LPL mount, 0.79m minimum focus, 114mm front, 2.42kg

Summary

The ZEISS Horizon 35mm T2.3 2x Anamorphic is a professional cinema prime built for full-frame coverage and a classic 2x anamorphic presentation. With a working range of T2.3 to T22, a close focus distance of 0.79m, and an ARRI LPL mount, it is clearly aimed at high-end production rather than lightweight hybrid shooting. ZEISS places it inside a matched family intended to keep a coherent visual identity and consistent physical behavior across several focal lengths. A 114mm front diameter, 199mm length, and 2.42kg weight reinforce that this is a serious set lens designed for deliberate support, disciplined operation, and repeatable handling on professional shoots.

From a cinematography perspective, 35mm is one of the most useful focal lengths in an anamorphic lineup because it can feel wide and immersive without becoming overly aggressive. Paired with a 2x squeeze and a T2.3 stop, it can deliver strong subject presence, expansive framing, and the stretched spatial character many productions want from anamorphic capture. ZEISS also equips the lens with integrated focus and iris motors plus lens data functions, features that can be especially valuable when a crew wants precise control, stable lens behavior, and a consistent operating feel from setup to setup. The appeal here is not only the image signature, but also the sense of control and confidence the lens can bring once it is part of a properly built cinema package.

In practical use, this lens makes the most sense for narrative features, commercials, music videos, prestige brand films, and architectural or landscape work where wide composition and anamorphic character are part of the creative intent. It can also suit interiors, moving camera shots, and environmental portrait-style staging when the production has the rigging and support needed to work comfortably with a lens of this size. It is not a casual choice for run-and-gun creators, nor is it a small crossover option for stills-first shooters, but for teams building a serious full-frame anamorphic package, the Horizon 35mm offers a compelling balance of width, speed, close focus, and visual consistency.