The Future of Samyang: New f/2 Lenses, Optical Stabilization and the Wait for Nikon Z and Canon RF

If you are a photography enthusiast or a video creator looking for the next big leap in optics, the CP+ 2026 exhibition delivered some thrilling news. South Korean manufacturer LK Samyang, in collaboration with Schneider Kreuznach, is preparing a revolution in its lens lineup. According to a recent interview with Samyang's Product and Planning Manager, the brand is raising its technical standards to compete directly in the big leagues.

The Expansion to Nikon Z and Canon RF

One of the market's biggest questions has finally been answered. Samyang confirmed they are technically prepared to adapt their complex lens designs to Canon RF and Nikon Z mounts. However, they are currently waiting to secure official licenses from these Japanese manufacturers before they can start making and selling them. In the meantime, their primary focus remains squarely on the Sony FE mount.

The New f/2 Standard for Zoom Lenses

To differentiate itself from a market saturated with f/2.8 options, Samyang is placing a heavy bet on ultra-fast zooms with an f/2 aperture. Among the 3D prototypes showcased is a massive 20-50mm f/2 FE, designed to provide a wider, brighter starting point, though it is not expected to launch until 2028 or 2029. They also revealed a 28-85mm f/2-2.8 FE, which adopted a variable aperture to keep its physical size manageable, with a potential release by late 2027.

Pure Innovation for Videographers: VCM Motors and OIS

Video creators have a lot to celebrate. Samyang is transitioning away from older stepper motors to new linear Voice Coil Motors (VCM). This upgrade promises vastly improved autofocus speed and superior tracking for fast-action video. This technology will be featured in the upcoming 28-135mm f/2.8 FE, a highly versatile lens already in production and aimed for a late 2026 release.

Furthermore, the company is actively developing its proprietary Optical Image Stabilization (OIS) system. This tech will be implemented in their new high-end telephoto primes aimed at professional sports and portrait photographers: a 200mm f/1.8 and an innovative 300mm f/4. Interestingly, for the 300mm f/4, Samyang is considering an internal 1.4x teleconverter (turning it into a 420mm f/5.6) as a clever workaround to bypass licensing restrictions that prevent them from selling external teleconverters.

Without a doubt, the coming years promise to position Samyang not just as a budget-friendly alternative, but as a benchmark for optical innovation and professional performance.